2017-10 National Museum of Cambodia

5th century AD stelae carved in Sanskrit and Old Khmer

The National Museum in Phnom Penh has quite a variety of artifacts on display. Even better, it has great informational cards in English with lots of background. Our guide kept telling us that the Khmer people had an empire long before the Thais or Laos, an empire that stretched from Burma to China. The pieces in the museum dated from the 5th century AD, including an stelae inscribed in both Sanskrit and Old Khmer languages.

Vishnu sculpture from 6th century AD, pre-Angkorian period

Reclining Vishnu from the 11th century (Angkorian period)

Which brings us to an interesting point: the Khmer (or, at least their kings) followed Hinduism. Thus the use of Sanskrit on inscriptions and the plethora of Hindu gods in their art. However, at the same time, the Khmer people (and their kings) also followed Buddhism. I’m not well-versed in either; however, sufficeth to say, there are also lots of Buddhas in their sculpture and art.

Buddha seated on naga, the seven-headed snake, 11th century

At the museum, the sculptures that caught my eye were those of Vishnu (Hindu) and the Buddha on “naga”, the seven-headed snake. There was also a very human statue of Jayarvanam VII, who embraced Buddhism completely. Instead of looking like a stylized or perfect royalty, this sculpture looks like an actual person.  We would visit two of his temples in Siem Reap: Ta Prohm (the Tomb Raider temple) and Angkor Thom.

Jayarvanam VII, Angkorian period, turn of century (12th-13th)

In another room, there were detailed paintings of the Hindu Ramayana story. These intricately detailed panels tell the story that the Khmer call Reamker. Another room held an an entire collection of wooden Buddhas. (We were not allowed to photograph this room). There were also pottery and bronze items in other rooms and halls. Plus, there are some items from the previous Cambodia royalty, such as palanquins used to carry royalty. All in all, a very interesting museum.

Panel from Reamker, early 1900s